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Tour: Asia - where our hotels ranged from brand-new five star palaces to a hotel we were reliably informed had once been a brothel

9/5/2012

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Not without some of the usual dramas of international group travel (plus some other very clever individual ones of mine), and after 3 successful-but-tiring back-to-back shows in Adelaide, I arrived with the Co-Opera troupe in Singapore where we performed our first Black Water/Acis & Galatea at the Esplanade Theatres.

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Jeremy Tatchell and I, backstage glamour, Penang
Alas, the whole of the Asian tour was quite grueling in terms of schedule, and so for me it was very much about trying to look after myself as well as possible, and conserve energy. The very next day we travelled by air and road to Penang, in Northern Malaysia. Some of the scenery on the journey was completely stunning, though a timely reminder that large portions of Malaysia’s beautiful landscape is threatened by mining, logging and plantations for the palm oil industry. That evening we went straight into late rehearsals before returning to the free a-la-carte dinner at the super-swish 5-star hotel provided for us by the organizers of the Penang performance. It was a welcome haven at the end of a very long day!

Two days later we returned to Kuala Lumpur for the final Black Water/Acis & Galatea in the lovely, historic Chinese Assembly Hall. I think what I loved most about that show was the incredible acoustic. It felt like I could have spun a single note out into the air forever. After 6 performances as Kelly (12 altogether this year), both Julie Sargeant and I agreed that we were more than ready to set that particular story down, given that the telling of it has not yet become any easier. (Perhaps, in fact, it shouldn’t get easier.)

But if there was anyone more grateful for the end of the BW run than I it could only be my hairdresser, as straightening, teasing and hairspraying the heck out of my poor hair for a few months had left me wondering if I wasn’t in line for a bald patch sometime soon.
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Warming up, Chinese Assembly Hall, KL
The entire company celebrated that night at an amazing late-night feast in the heart of Kuala-Lumpur’s Chinatown – it would have to have been one of the most surprising and delightful meals I’ve had this year – really remarkable. The boys ordered chili frog! Can’t wait to return to Kuala Lumpur sometime with more time and energy to explore it!

The next day we travelled south to Melaka and piled straight off the bus into 3 hours of rehearsals for a variety gala concert that night which was enormous fun (and dare I say, even more fun backstage, given we were all deliriously tired and therefore slightly hysterical by this point). More company feasting followed, outdoors in the sultry heat of 1am, before a quick walking tour of the river in the centre of town. Sleep? Sleep is for the weak. And the sensible. And the lucky. But not for us.

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Feasting on local delicacies, 1am, Melaka
The following day, our last in Malaysia, I could FINALLY justify wandering around in the brain-frying heat for four hours doing some sightseeing, and (swollen ankles notwithstanding) I am SO glad that I did, as Melaka is the most incredible collision of centuries of colonial forces, all vying for the spice trade routes. Wave upon wave of foreigners arrived and shaped the history of this place with their new technologies, materials, customs and gods. The air was so thick with spice I’m pretty sure I could have licked it off my skin.

 I was exhausted enough that that might have seemed like normal behaviour.



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Wretched lovers, fate has passed this sad decree: no joy shall last!

12/4/2012

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Thus sing sadly the chorus of shepherds and shepherdesses in Handel’s Acis and Galatea.

But don’t worry, dear reader; despite the potential today’s date affords for a calamitous personal tale (Friday 13th), things are damn good in Karenland. Adelaide has turned on a series of truly superb early Autumn days, there’s a huge number of post-Easter discounts at Haighs Chocolates (I actually feel slightly sick at the moment from pushing through a bag of broken bilbies and dismembered chocolate chicks) and I am having a peaceful (if sugar-twitchy) moment before I head to the airport after the first two days of music calls.

Nor do I agree with Handel in the above sentiment today anyway. Last night I watched The Dark Crystal (Jim Henson’s 1982 film) and thought to myself, “Seriously, I have been watching this for nearly thirty years and I STILL think it’s awesome!” So smoke that, George… One could certainly question whether my viewing pleasure of The Dark Crystal wouldn’t be permanently tarnished, however, if there were a jealous one-eyed giant who came in in the middle of it, trashed my DVD player, ate my TV remote and pooped on my snuggie.

Such is the sad tale of Acis and Galatea, the masque (or short opera) written by G F Handel which Co-Opera is presenting in Adelaide, Singapore and Malaysia later this month and early in May. (OK I might have lied about the DVD player. And the snuggie. The pooping will probably depend on the director, who fortunately is not German – otherwise I’d hazard that the pooping would most certainly be included.)

It was first published in 1722, though it has apparently undergone so many changes, re-writes and revisions that it is difficult to deliver a consistent synopsis. Fittingly, it is written on a text based on Ovid’s Metamorphoses.

In a nutshell, as is the norm in such baroque idylls, all the ‘nymphs’ and ‘swains’ are pretty much having a non-stop party, cavorting and singing about how fabulous their meadows are and how much they like wine and stuff like that. (I have to assume the taking-care-of-the-sheep bit happens off-stage.) Galatea, a semi-divine nymph, has fallen in love with a sexy young shepherd named Acis. So far, so picnic.

Then poor old Polyphemus, who occurs to me rather like some kind of pastoral Kevin Rudd, storms in demanding he be loved instead and - having been rejected - quite literally ruins the party. Well, ruins it more. At this point, everything gets terribly awkward in that wonderful operatic way, which is to say that people die. Fortunately Handel and our librettist, John Gay, decline to comment on Polyphemus’ career on the backbenches after his brutal murder of Acis, choosing instead to focus on the far more uplifting plot point of Galatea, via her semi-divine powers, transforming her dead lover into a fountain.

Yes. What? Yes OK. Baroque opera can sometimes be a little challenged in terms of character development. And logic.

The music, however, is completely, rapturously gorgeous: complex and rich, and achingly beautiful, and I know it is going to be a joy to rehearse and perform this work over the ensuing weeks.

There are to be seven performances of Acis and Galatea: four in Adelaide, one in Singapore, one in Kuala Lumpur and one in Penang. For all but the Penang show, it will be teamed with a second run of Black Water, and I believe it will make my job even more challenging to jump from the tribulations of Black Water into my role as an advice-giving nymph (Coridon). I’ve always thought of nymphs in this context as the equivalent of those bikini-clad, glassy-eyed women gyrating in rap music videos. Baroque eye candy. Well, perhaps it will be soothing to be able to retreat each night from psychological realism to beautiful allegory. And not a bikini in sight, thank god.


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The Amazing Mega-Tour of Work and Fun and Chaos

4/4/2012

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Well, there seems to be quite a lot happening in the next few months, all exciting and slightly overwhelming from this vantage point.

Later this week I fly to Adelaide to begin rehearsals on the next project, a short Handel opera called Acis and Galatea, which will have performances in Adelaide, Singapore and Malaysia together on the programme with the second run of Black Water – quite a heavy night on stage for me, all up!

In early May the company departs for Asia, where as well as shows in Singapore, Kuala Lumpur and Penang, we are also presenting a one-night-only Opera Gala evening in the exciting historical city of Melacca.

From there we fly to Austria, where we have only a few days to re-rehearse The Marriage of Figaro for performances in Austria, Switzerland and Germany.

After a few days of R&R, my lied partner Ella Luhtasaari will join me in Vienna for a few days of rehearsals, and then we begin study at the month-long summer school into which we have been accepted. I am quite excited about that for a number of reasons, but not least because it includes full-board in a castle in Graz, Austria!

All up, it will be mid-July before I make it home to Sydney again. I expect there will be many tales to tell in the meantime…..


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    Author

    ____ In 2005 I found myself in London, broke, constantly sick, and working in a job I hated. I had dropped out of Uni and run away from Australia years earlier, and had had a mind-boggling succession of actually-I'm-not-going-to-share-them-on-a-professional website adventures. But I looked up one day and realised I really wasn't happy with my life. "So if you're going to change things," I asked myself, "what is the dearest dream you once had? What is it worth turning everything around for?"

    I had chronic pain from (unbeknownst to me) dislocated bones; both my lungs and my throat were compromised. I smoked a pack a day. I hadn't worn an evening gown since my Year 12 formal and couldn't really walk in heels. I didn't read music, and had never sung an aria, nor studied music at school. But I knew what I wanted: I wanted to serve the muse. Bit mad, really.

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